I GOT THEM ‘NEW TOYS BLUES’ AGAIN, MAMA
By MICHAEL PERKINS All the odds are in my favorSomething’s bound to beginIt’s gotta happen, happen sometimeMaybe this timeMaybe this time, I’ll win EVERY PHOTOGRAPHER CAN IDENTIFY with Liza Minnelli’s...
View ArticleHUE MUST REMEMBER THIS….
By MICHAEL PERKINS DECADES INTO THE DIGITAL ERA IN PHOTOGRAPHY, we are still coming to terms with just how much the shift away from film-based technology has profoundly changed the way we make...
View ArticleO SILVER TREE, O SILVER TREE……
Cussins & Fern Hardware, Columbus, Ohio, Christmas 1965 By MICHAEL PERKINS CBS TELEVISION FIRST AIRED A Charlie Brown Christmas on December 9, 1965, creating an instant seasonal classic. It got its...
View ArticleTHE RELENTLESS MELT
By MICHAEL PERKINS THERE ARE PEOPLE YOU PHOTOGRAPH BECAUSE THEY ARE IMPORTANT. Others are chosen because they are elements in a composition. Or because they are interesting. Or horrific. Or dear in...
View ArticleHERE COMES THE NIGHT
Letting the shadows be the shadows.1/100 sec., f/1.8, ISO 250, 35mm. By MICHAEL PERKINS FOR SOME PHOTOGRAPHERS, THE END OF A CALENDAR YEAR MEANS BUSTING OUT THE “BEST OF” LISTS, and, certainly,for...
View ArticleI’M DREAMING OF A ‘CHROME CHRISTMAS
All The Trimmings, 2013. 1/160 sec., f/5.6, ISO 100, 35mm. By MICHAEL PERKINS IF YOU HAVE BEEN ON THE PLANET FOR MORE THAN FIFTY CHRISTMASES, your holiday memories (at least those frozen in family...
View ArticleMAKING THE MIRACLES MUNDANE
Connection outranks context. By MICHAEL PERKINS GIVEN OUR USUAL HUMAN PROPENSITY FOR USING PHOTOGRAPHY AS A LITERAL RECORDING MEDIUM, most of our pictures will require no explanation. They will be...
View ArticleA CHANGE IN PRESCRIPTION
Sedona Bluffs, 2013. HDR can be your best friend when rescuing detail and shadow on subjects like this. But it will make your Aunt Hilda look like the Portrait of Dorian Gray. By MICHAEL PERKINS THERE...
View ArticleCONTAIN YOURSELF
The Things They Carried: my wife’s father’s leather instrument case and compass. 1/60 sec., f/5.6, ISO 250, 35mm. By MICHAEL PERKINS WE LIVE IN AN AGE IN WHICH MOST OF OUR LIVES ARE EXHAUSTIVELY...
View ArticlePULL DOWN THE NOISE
by MICHAEL PERKINS PHOTOGRAPHY OFTEN SPEAKS LOUDER IN A SOFTER VOICE. Think about it. If you accept the idea of visual information as a sort of “sound”, then it’s easy to see why some images don’t make...
View ArticleTHE ROOMS DOWN THE HALL
By MICHAEL PERKINS FOR THESE PAGES, IT WAS NEVER MY VISION TO MERELY POST PICTURES. Not, at least, without some kind of context. Just meeting a regular deadline with the “picture of the day” held as...
View ArticleOPTING FOR IMPERFECTION
When additional detail needs to be extracted from shadows and from the texture of materials, HDR (High Dynamic Range) is a great solution. This shot of the entrance to the New York Public Library is a...
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